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March 30, 2024
Joseph of Arimathæa artefact at V&A offers rare window into ‘how England really looked’ in Middle Ages
Arabella Illingworth and Tristram Hunt
March 30, 2024
Hilaire Belloc’s masterful ‘The Cruise of the Nona’ invites us to navigate life’s mysteries
Julian Kwasniewski
March 30, 2024
‘A hurricane of grief’: Contemplating the Passion at Bologna
Serenhedd James
March 29, 2024
Pontius Pilate and Judas Iscariot: should we have more sympathy for the villains of Christ’s Passion?
Richard Ounsworth OP
March 28, 2024
The dilettante architect: Appraising the ecclesiastical buildings of Harry Goodhart-Rendel
Michael Hodges
March 28, 2024
Sonnez Les Matines, Benedict XVI and the Theatre of the Absurd
Nick Ripatrazone
March 28, 2024
Easter calls for lamb – ideally slow-roasted and served with sauce soubise
Cornelia van der Poll
March 27, 2024
‘Lent with the Beloved Disciple’: How St John reveals Jesus’s cosmic relevance for our lives
Toby Cafferty
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March 24, 2024
What St Paul really meant: Into the Heart of Romans, by NT Wright
Peter Laffin
March 23, 2024
Everything in London has changed, except the familiar scents of the Oratory
Flora Watkins
March 23, 2024
Normal Women: 900 years of women making history, by Philippa Gregory
Suzanne Topham
March 23, 2024
Dark shows for dark times: going toe to toe with Elektra and The Handmaid’s Tale
Michael White
March 19, 2024
‘Oxford History of British and Irish Catholicism’ highlights constant Catholic thread through historical upheavals
James Kelly
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