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Tim Stanley

January 12, 2017
I cried three times when watching Silence at the Covent Garden Odeon. Which is surprising because it’s the least sentimental, most masculine movie you could imagine. It’s a model for the Church. This is how we should be. It begins with Jesuit Fathers Rodrigues and Garppe landing in 17th-century Japan like our boys on D-Day.
January 05, 2017
At Christmas we take a few days off work to spend time with the TV. This year I mostly watched Harry Potter grow old and stroppy. By the sixth or seventh film in the wizarding series – Harry Potter and the Galloping Hormones – he’s basically James Dean with a wand. Daniel Radcliffe is much
December 22, 2016
A lot of people seem to be gay nowadays. Previewing the Christmas TV, I discovered that a lead character in Last Tango in Halifax is a lesbian. After that, I watched Two Doors Down, a Scottish comedy, which features a gay couple. Meanwhile, an interested party informs me that there are no fewer than three
December 15, 2016
Viewers complain that they can’t hear every word being said in Rillington Place (BBC One, Tuesdays, 9pm) because the actors mumble. That might be a blessing in disguise. After all, this is the story of Reg Christie, the softly spoken serial killer who murdered at least eight women in his London flat. Tim Roth does
December 08, 2016
Walliams and Friend (BBC One, Fridays, 9.30pm) was so unfunny that one person dubbed it Walliams and Viewer. You know a comedy show has failed when the reviews are more amusing than the script, though I refuse to join the haters. Walliams is a nice man, a huge talent. So what went wrong? It’s the
December 02, 2016
Adam Curtis’s HyperNormalisation (available on BBC iPlayer) is an ingenious attempt to explain everything. From Damascus to Washington, via Brexit Britain, our world appears to be in chaos. That is because life is complicated and defies good management. But politicians try. They fail. And ultimately, says Curtis, the people have rejected them because the stories
November 24, 2016
Westworld (Sky Atlantic, Tuesdays, 9pm) was a movie before it was a television show, and the difference between the two illustrates how far we’ve come. The plots are essentially the same. A corporation opens a Western-themed amusement park staffed by robots, a place where ordinary human beings can live out their fantasies – violent, sexual,
November 03, 2016
It’s time to fire The Apprentice (Thursdays, BBC One, 9pm). I still like the show, it still gets laughs – but it’s been going so long that the format has lost credibility. It no longer even tries to pretend to be a serious competition. It’s a sitcom. There’s Karthik Nagesan, this season’s face of capitalism
October 27, 2016
The Young Pope is one of those over-complex English-language TV shows that requires subtitles. It clearly contains deep, dark ruminations on faith and power – but it’s a struggle to understand what’s going on or what the characters are talking about. And at its heart is a character who doesn’t convince one bit. This show
October 20, 2016
I’m of an age when I can feel nostalgic about murder trials. I remember the Amanda Knox case vaguely. It was 2007 and I was finishing a PhD – and out of the corner of my eye was this story on TV of an American girl and her boyfriend facing life for the murder in
October 13, 2016
We’ve stuck with The Fall (Thursdays, 9pm, BBC Two) through three long series with very little being revealed. We know that Paul Spector (Jamie Dornan) is a serial killer and that DSI Stella Gibson (Gillian Anderson) is the only one who can catch him. This scenario obviously doesn’t work as a whodunit – we see
October 06, 2016
National Treasure (Channel 4, Tuesdays, 9pm) is one of the most Catholic dramas we’ve seen in a while. Robbie Coltrane plays Paul Finchley, a retired comedian accused of raping several women long ago – one of them an underage babysitter. Whether he did it is unclear. In a sense it doesn’t matter. Writer Jack Thorne
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