English language drama is a bit thin on the ground here in Amsterdam, though there is clearly a demand for it, because Orange Theatre’s production of Martin McDonagh’s heart-wrenchingly horrible comedy The Pillowman last month was a deserving sell-out. The show was terrific, and drinks with the outstanding company afterwards just as good.

My heart only sank when I looked at the back of the programme, and read this plug for the their next project: “NOVEMBER 2018 – AN ORIGINAL COMMISSIONED PLAY ABOUT BREXIT. How do you tell the story of a secession? A rebellion? A departure?” How, indeed, let alone that of something as mind-numbingly tedious as a process more akin to trying to change your mobile phone network provider all day, every day, for two years.

But of course you could also spend that long trying to find a member of the artistic community, even or especially in Britain, who has a ghost of a clue what the European Union is really about or why so many people want to leave it. Instead of the truth (the EU is about power and money and oligarchy), they prefer to believe that it’s about love and brotherhood and cultural enlightenment, and anyone who’s against all that must of course be a cretin who shouldn’t have the vote.

Recently the Archbishop of Canterbury publicly expressed the extraordinary view that the EU is “the greatest dream realised for human beings since the fall of the Western Roman Empire”. A man of his worldly experience can’t possibly believe that. Was it just a cynical ploy designed to fill depleted Anglican pews with luvvies?

One of the reasons some people voted against Brexit two years ago was that they believed – wrongly – that it would hamper their ability to travel on the continent. But unrestricted travel is on its way out now, anyway, and not just because centrist parties all over Europe are on the back foot as a result of popular reaction to the “migrant” crisis.

Tourism has also become a problem, and Amsterdam is the latest of Europe’s prettier destinations to announce measures to restrict it. Interestingly, the initiative comes from the Left, who object to the sheer footfall of foreigners spoiling the aesthetics of the city for those who actually live in it (like me). They seem oblivious to the irony that if they applied the same principle on a national scale they would find themselves on the extreme Right.

​How to continue reading…

This article appears in the Catholic Herald magazine - to read it in full subscribe to our digital edition from just 30p a week

The Catholic Herald is your essential weekly guide to the Catholic world; latest news, incisive opinion, expert analysis and spiritual reflection